NaNoWriMo 2022

It’s time for National Novel Writing Month (NaNoWriMo) again! The challenge is to write 50,000 words in the month of November, which is pretty much my usual monthly goal. I thought I did NaNo every year, but it turns out that I missed last year. Hmm.

I’ve signed up this year with the goal of completing The Masquerade of the Marchioness, which is the next book in my Claire Delacroix Regency romance series, The Ladies’ Essential Guide to the Art of Seduction. I’m excited about this story – it’s about a marriage on the rocks and a wife that is prepared to do whatever it takes to win her husband’s attention back. I’m looking forward to meeting the hero, as well as the inevitable antics of “Mrs. Oliver” at a masquerade ball, and to sorting out another HEA. That story is scheduled to publish in December.

I don’t participate in a lot of events during NaNo – I just keep the focus on writing. It’s a good month to revisit my routines and make sure I’m working effectively, maybe to establish some new and more productive habits.

If you’re participating in NaNoWriMo, good luck with your goal. I hope you start the month with a day filled with words!

NaNoWriMo 2020

NaNoWriMo logo

It’s that time again. National Novel Writing Month (NaNoWriMo) launches tomorrow. Participants aim to write 50,000 words in the month of November. Participation is free.

As usual, I’m participating. If you want a writing buddy, you can friend me at NaNo right here.

I’ll be putting down the words for Just One Silver Fox, as well as a couple of other projects.

If you want to learn more about NaNoWriMo, check out their website.

Avoiding Writers’ Block

Today, we’re going to discuss some tips and tricks for ensuring that you always know what comes next when you sit down to write.

I don’t love the term “writers’ block”, partly because it sounds insurmountable. Like so many things, being “stuck” can be overcome with a little preparation and several little steps. You could think of these as good practices.

• Review what you wrote the day before
This is a tried and true strategy used by many writers I know. Job one of any new day of writing is to edit what was written the day before. This is a neat trick because you polish your work so that it’s clean behind you, and it also fills your mind with the story again. You might even see details or directions to explore which you missed the first time around.

• Leave a hook for the next scene
When you stop for the day, choose a deliberate point for stopping. I find that if I write everything I know about the story, the next day I might come up dry. I also find that I see two scenes very clearly and often a third one a bit less so. So, I write those two scenes, then hold back on the third. I’ll write the first sentence of that scene, to pull me back into the moment, but then let that scene stew in the back of my mind for the remainder of the day. Combined with the review suggested above, this is a surefire way to get me writing again each day.

• Retrace your steps
Most authors write a story in a linear sequence. This means that if the next scene isn’t clear to you, you’re stuck, as if you encountered a closed road on your map to the big finish. For me, this often indicates that I’ve taken a wrong turn or painted myself into a corner. The first thing I do in this situation is delete the hook on the end of the last scene I wrote. I then go make a fresh pot of tea, thinking about what else that hook could be. Often that sets me straight on the path again.

• Write out of sequence
Sometimes another scene than the one I know comes next is clear in my thoughts when I sit down to write. This might be the ending, which is a useful thing to write in advance of getting to the end of the book. Many authors find that writing the ending gives them a more clear sense of their destination and the feel of the end of the book, and that helps with the pages in between. You might feel compelled to write the big finish, or the dark moment, or a comparatively minor scene between secondary characters. As a general rule of thumb, if something is burning in your thoughts, write it down, whether it comes next in the story or not.

• Write a synopsis
The most obvious way to ensure that you know where the story is doing (and how it’s going to get there) is to write a synopsis. I’ve yet to meet a writer who loved creating a synopsis. It can be a painful process. But the fact is that once you have one, you have a map of your book. It’s very easy to put your finger on your location in the synopsis then read on to see where the story needs to go next.

• Stock your well
Julia Cameron talks about this in The Artist’s Way. It’s a strategy for ensuring that you always have new images and ideas to draw upon, so that your work continues to evolve and stay fresh. For me, this kind of creative thinking is completely opposite to the kind of planning I do as a publisher. Stocking my well is dreamy and irrational, meandering, and often seems like daydreaming or “wasting” time. The less free time I have, the more critical I am of the kind of play that stocks the well—but if I don’t do it, I get stuck.

I suspect that part of the reason I’ve been less productive creatively this year isn’t just a lack of time to write; it’s a failure to leave time to play and dream. I play with textiles and color to let my imagination wander off and explore the next part of the story I’m writing. I knit and quilt and bead and garden and cook, and this review has reminded me that I need to defend the time to do that, as well as the time to write.

So, the final tweak that comes out of this entire review is to protect the time I spend mucking about with creative endeavors. When I protect my writing time and my source of ideas, the routine of publishing must be pushed out to occur last in the day instead of first.

This is an intriguing idea and one I’ve already started to put into action. I’ve already seen an improvement in my productivity: in October, I wrote 54,000 words, which blasts me past my high count in May of 43,000. Now I just need to make these changes into habits. I’m curious to see if my word count increases in the next six months – I’m curious to see if it will help me succeed in NaNoWriMo. 50,000 words this month would be a victory!

Do you have any tips or practices that help you avoid writers’ block?

NaNoWriMo 2018

NaNoWriMo logoIt’s that time again. National Novel Writing Month (NaNoWriMo) launches tomorrow. Participants aim to write 50,000 words in the month of November. Participation is free.

As usual, I’m participating, and (as usual!) I have more than one project to get done this month. If you want a writing buddy, you can friend me at NaNo right here.

If you want to learn more about NaNoWriMo, check out their website.

NaNoWriMo 2017

National Novel Writing MonthI often participate in NaNoWriMo (which is National Novel Writing Month) and this year is no exception.

The fact is that every month of my life is NaNo, since the goal of NaNo is to write 50K words in a month. That’s not a novel in my corner of the fiction market, but it’s about half of one. Most months, I write new content at this rate, so November isn’t anything special. I’m using working on multiple projects at a time, as well, although I only list one on the NaNo website.

Doing NaNoWriMo is a good way to cross check my productivity, though. I tend to keep track of my page count on Post-It notes on my desk, and I do update my wall calendar each week with my progress—right alongside my goals for the week. Keeping track on the NaNo site makes me feel more accountable, and it also makes me more aware of what else is placing demands on my time. What’s interfering with writing? What am I doing instead? NaNo provides a little productivity cross-check for me each year, and helps me to refine my process.

In the Midnight Hour, book #3 of the Flatiron Five series of contemporary romances by Deborah CookeThis year, for example, I’ve written 13,000 words through Saturday. (Still taking Sundays off.) That’s not bad, but it’s less than I’d hoped to achieve in four days. I aim for 3K to 5K per day of new word count. The fact is that there was been a LOT of publishing stuff happening behind the scenes last week, so I wasn’t even starting to write until after 2PM. The problem is that mornings are my most productive time.

This week, I’m not going to check my email until lunch.

One of the speakers at NINC made an interesting comment that has stuck with me, that email is a means for other people to offload jobs to you. His strategy was to do what was important to him first, then see what other people wanted to hand off to him. It’s good advice. I just have to break my habit of checking email while I have my second cup of coffee. 🙂

You can find me on NaNo here.