A Full Deck

Do you read tarot cards?

I do, although I used to read them more often than I do now. A tarot card deck has 78 cards: the 56 cards called the minor arcana, plus 22 trump cards called the major arcana. The minor arcana are similar to the decks of 52 playing cards that we use for other games: there are four suits of 14 cards each, with cards numbered from 1 to 10 in each suit, plus “face cards” of a page, a knight, a queen and a king. (In the 52-card decks we use for other games, there are only three face cards: the jack, the queen, and the king.)

I just bought a new deck and am very happy with it.

The oldest surviving tarot cards were created in Italy in the fifteenth century and were painted on commission for powerful families. The Pierpont-Morgan Visconti-Sforza deck is the one I just bought. It’s a reproduction of actual cards that have been preserved. All but four of the 78 cards have survived, although they are in different collections. The Accademia Carrara in Bergamo, Italy owns 26 cards; the Pierpont-Morgan Library in New York owns 35 cards, and there are 13 cards in a private collection in Italy, the Casa Colleoni. These cards are big, at 17.5 by 8.7 cm, and this reproduction is the same size. They were paintings, as well—there are cards surviving from about the same time that were printed from woodcuts.

The four lost cards in this deck are The Devil, The Tower, the Three of Swords and the Knight of Coins, but they’ve been created to make the deck complete, and designed to coordinate with the rest of the deck.  There’s a cheaper version of this deck, but I thought the museum’s connection would ensure the quality was superior. The deck comes in a hinged box with a book of interpretations, as well as the story of the history of the cards.

I thought this deck was beautiful before I received it, and I’m dazzled by the reproduction. One thing is that I’m not sure I’ll be able to shuffle such big cards and work with them for readings. They also don’t have numbers or titles on the higher arcana cards or the suit cards, so it’s a case of working with the cards to recognize each one. It took me a few minutes to realize that the king in each suit is on his throne, the knight is on his horse and the page is on his feet, and that’s how to tell them apart. It won’t take long to become accustomed to it once I have a look at its conventions. I may use it for meditation instead of readings.

When I bought my first deck of tarot cards almost thirty years ago, there wasn’t a reproduction of the Visconti-Sforza available, even though it was obviously known. Maybe the museums and collectors still had to work out a partnership. It was the one I wanted, but instead, I bought the Medieval Scapini deck, which features card images painted by Luigi Scapini and which are clearly inspired by the Visconti-Sforza deck. The cards are smaller and I’ve done a lot of readings with mine. Here are some of the cards side by side.

These are the first four cards in the Higher Arcana – The Fool, The Magician, The Popess (The High Priestess in other decks) and The Empress.Two tarot decks compared - the Higher Arcana

The next four cards in the Higher Arcana are The Emperor, The Pope, The Lovers and The Chariot.

Two tarot decks compared - the Higher Arcana

The next four cards are Justice, The Hermit, The Wheel of Fortune and Force.  Notice how different the Force card is. The illustration on the smaller card is more typical now.Two tarot decks compared - the Higher Arcana

The next four Higher Arcana cards are The Hanged Man, Death, Temperance and The Devil. (The Devil is one of the missing cards in the actual deck.)Two tarot decks compared - the Higher Arcana

The next four Higher Arcana cards are The Falling Tower (another missing card) The Star, The Moon and The Sun. I love the depictions on The Star and The Moon, which are both different from what’s become typical. (The small cards have more familiar imagery.)Two tarot decks compared - the Higher Arcana

The last two trumps are Judgment and The World. Once again, the illustration on the smaller card is more typical of other decks, but the medieval one is quite beautiful.Two tarot decks compared - the Higher Arcana

Just for fun, here are the four queens: the Queen of Swords, the Queen of Wands (called Staves in the larger deck), the Queen of Coins and the Queen of Cups. There’s so much gold leaf on the Queen of Cups that she didn’t photograph well – the original card must be amazing.Two tarot decks compared - the Queens

And finally, here are the aces, just to compare. The Ace of Coins, the Ace of Swords, the Ace of Cups and the Ace of Wands (or Staves, as the case may be.)Two tarot decks compared - the Aces

The cards have different meanings when they’re reversed or inverted, and I can see that I’ll have to pay attention with the suit cards to be sure I notice their orientation.

This adventure started because Astro Jen sent me a book, which I’m enjoying a great deal. Mystical Origins of the Tarot by Paul Huson discusses (and speculates) on the origin of the tarot deck as we know it. He talks about the Danse Macabre and medieval miracle plays, which is sending me off on another research tangent. I’m familiar with the York cycle of plays, which were performed on Corpus Christi day, as well as some plays adopted by Mummers, like the story of St. George and the dragon. (Alexander and the company from Kinfairlie dress as Mummers and act out this play in The Snow White Bride.) But there are many other medieval miracle plays and I’m having a wonderful time learning more about them.

Have you embarked on any research adventures lately?

New Cover for Love Potion #9

Love Potion #9 – which is a paranormal romance and romantic comedy – is a personal favorite of my own books. (Although it has paranormal elements, they aren’t as vehement as those what we call paranormal romance now. I think of it as a contemporary romance and romantic comedy with a bit of magic.) When it was originally published by Berkley, they commissioned the cover art from Judy York. This was the first time that I had a cover illustration that was actually a scene from the book. I was pretty happy about that, and thought the image perfectly captured the tone of the story.

Here’s the original cover:

Love Potion #9, a paranormal romance and romantic comedy by Claire Delacroix (writing as Claire Cross), out of print mass market editionWhen the rights to this book reverted to me, I licensed that image from Judy for the new edition of the book, just because I liked it so well. This was the cover on my first digital edition of the book:

Love Potion #9, a paranormal romance by Claire DelacroixI was never as happy with the type as I wanted to be. Since then, Kim Killion and I have established a look for the type on my books, and particularly for Claire’s name, so recently I asked her to update the type on the cover. Here’s the new cover:Love Potion #9, a paranormal romance and romantic comedy by Claire Delacroix

New editions have been uploaded to the online portals, and the covers on the print edition have been updated, too.

Why do I love this book so much? Well, there is the story itself, which features Lilith and Mitch both having a second chance at love. I like that a lot. I like that it’s set in Toronto, where I used to live. But my favourite element of this story is that the chapters are named after the twenty-two cards in the higher arcana of the tarot deck, in order, and that what happens in each chapter is under the influence of the specified card. The higher arcana from 0 – The Fool to 21 – The World describes a journey, and I structured Lilith and Mitch’s story to follow the path of that journey. I’m ridiculously proud of how well it worked out. (Here’s the Wiki about the Major Arcana.)

If you’re curious, Love Potion #9 will be on sale for 99 cents this weekend at Amazon US and 99p at Amazon UK. 🙂

LOVE POTION #9 Reader Letter

Love Potion #9, a paranormal romance by Claire DelacroixDear Reader –

Love Potion #9 was one of four of my books that were published by Berkley in 1998 and 1999, using my pseudonym Claire Cross. All of these books are romantic comedies with paranormal elements. Readers tell me that all of these Berkley titles have become hard to find in print – their requests are the reason for these re-releases. All four books are now available in new digital and print editions.

The other four books I published under my Claire Cross pseudonym are different – they are either contemporary romances or mainstream books with romantic elements, depending who you ask. Those books – the Coxwell Series – will be re-published this year as well. Look for Third Time Lucky, Double Trouble, One More Time and All or Nothing in new digital and print editions, beginning this summer.

Although I like each book that I’ve written, Love Potion #9 has a special place in my heart. It was the first romance I sold which was solidly set in the present day. Previous to this, I had written historical romances, as well as two time travels for Berkley.

It’s also a book that I like because of the structure – about halfway through the writing of this book, I decided to name each chapter after one card in the higher arcana of a tarot deck. This made sense, as Lilith, the heroine, reads tarot cards. But I also wanted the action of each chapter to reflect the meaning of the governing card in order for that structure to make sense. This was a creative challenge, but I was – and am – very proud of the result.

The original edition had a beautiful cover illustration by artist Judy York, showing Lilith surrounded by monarch butterflies, which is evocative of a scene in the book. I was very happy to be able to license that same image from Judy for this re-release and thank her again for that opportunity.

One of the great temptations in revisiting a previously published work is that of revising the book. Of course, authors hone their skills over time and there are things I would do differently if I wrote this story now for the first time. There is still a lot that I would do the same way with this book, though, so other than correcting a few errors, I have not made any revisions. This edition of Love Potion #9 is essentially the same as the original printed edition.

I hope that you enjoy Mitch and Lilith’s story.

Until next time, I hope you are well and have plenty of good books to read.

 All my best,
Claire

Read more about Love Potion #9.