This week, I should be at the Novelists Inc conference at St. Pete’s Beach in Florida, learning so much about publishing and promoting that my To Do lists have To Do lists. Instead, I’m home, thanks to Covid-19, and missing the conference, with reps from the portals, my writer friends and that beach.
One of the things that’s valuable about attending a conference is that I step away from my day-to-day rhythm and look at the broader picture of my publishing and writing goals, as well as learn about possibilities I’m overlooking (or haven’t explored yet). There are always a lot of those.
Here’s an example of one thing I might reconsider after attending a workshop or having a conversation at NINC – audiobooks. I recorded a dozen audiobooks 2015-2017 (mostly historical romances) and haven’t done any since. So, if I had gone to NINC, finding out more about where the audiobook market stands right now might have been one of my action items. (I always have a list when I go to a conference.) There’s the industry at large, the trends and patterns, then there’s the strategic question of how to manage my content in that niche. Should I record my contemporary romances? Should I record my PNR? What about more historicals? Should I write and record novellas? In what sub-genre? How is the audiobook market changing? What promotional opportunities exist that didn’t before? How can I improve on what I’ve done before with audio and build for the future? I’m doing my research and considering possibilities. It’s a little harder this way than attending a session or having a drink with someone, but it’s a useful exercise. I should have a new audiobook (or two) contracted for production soon and will tell you about it when I do.
This exercise also means re-evaluating my audio distribution, which I changed in 2019. I’m mostly happy with it, but think it needs a tweak or two. For example, KOBO has opened the option of publishing audio directly to their portal: I’m going to take my audiobooks direct to them instead of using an aggregator. That means lots of uploading for me. The KOBO links for my audiobooks will change as a result. The other change I’m considering will be invisible from your end, but you can see how my To Do list is growing, just from this one item.
There are more ways to promote audiobooks than was the case four years ago, as well, and I’ve added regular promotion of my audiobooks to my monthly To Do list. You might want to follow the Delacroix blog if that interests you, because my audio backlist at this point is pretty much all historical romance. I’m sending some emails and exploring some websites and updating my idea of what’s possible to formulate a new plan.
You can see how my To Do list grew, just from that one item. I’d do the same for translations, for print editions and for getting my work into libraries. I’d probably learn more about subscription services and the exploitation of performance rights, as well as see trends in ebooks. I’d attend workshops about sending newsletters and managing social media and a host of successful marketing strategies—as well as running CPC ads. Watch that To Do list grow, even though I’m not at the conf this year.
I like how conferences like NINC compel me to plan for the future and look ahead. I bought my 2021 planner this week and have started to fill it in, both with writing and with promotion. Another thing I’m going to do this week is review the financial reports for my various book sales over the past year and look for patterns. What strategy works best? Does the answer vary by sub-genre? Does it vary by portal? It invariably does, so choosing the best path forward isn’t as easy as it might sound.
Another big responsibility for me is managing my backlist, to ensure that it continues to perform in a changing market. I repackaged three series this year—The Champions of St. Euphemia, Flatiron Five Fitness and Flatiron Five Tattoo. I rewrote the series starter for Flatiron Five Fitness, giving Tyler a new story. How did those efforts influence results? Was it worth doing? (Yes, it was.) If I intended to repackage another series, which one would it be? If I was going to rewrite a book, which one would it be?
Which series do I need to complete next? I already made a move on this one and set up a pre-order for book 3 of my Rogues & Angels series of medieval romances, One Knight’s Desire.
Which new project should I undertake next? How do I take what I’ve learned and apply it to future efforts?
You can see that my list of things to do and explore has grown by leaps and bounds, just by composing this post—and compelling myself to take the time to take a bird’s-eye view, just as I would when attending a conference. It’s not the same. I’m not hearing the news from the portals or hearing from other authors about what’s worked for them, but it’s not all bad as a compromise. I still miss attending NINC, but these items will keep me busy for a while.
Last week, I attended the 
And then there was the conference itself. As always, NINC brings together an amazing group of workshop presenters, but this year it was particularly hard to choose between sessions. There were four tracks and it seemed that I wanted to attend two workshops in every time slot. I learned a tremendous amount and made a huge To Do list (this is typical). Highlights for me included 
The truly fabulous thing about this conference, though, was that this was the first time I attended as one of the 
Deborah Cooke & Her Books 