Koigu Navelli

I’ve been knitting a sweater, too, and even though it’s not done, I wanted to show it to you. The pattern is called Navelli (that’s a Ravelry link) and it’s designed by Caitlin Hunter. I’ve never knit a cropped wide sweater before (or worn one) but I really like this design. I’ve also been admiring sweaters lately that use a variegated or gradient dyed yarn along with solids in fair isle work. When I found several skeins of a really pretty colourway at the Koigu tent sale, I wanted to work with that.

The colourway that started me off is P528, a mix of teal and pink and blues, even with a bit of purple.

I found one contrast colour at Koigu: a teal in KPM, 5513. It looks kettle dyed, in that there’s variation in the tone, but not additional colours. There was only one skein so it had to take the place of the light pink in the original pattern.

When I got home and checked the stash, I discovered that I had three skeins of Shibui Knits Sock in purple. It was a perfect match, so that became my “brown”. The variegated colourway is my main colour for the body of the sweater. (This yarn is discontinued. I’d bought it originally to knit these opera gloves from Vogue Knitting Winter 2008/2009. Since then, I’ve realized that I’m unlikely to ever wear long knitted gloves, so the yarn has aged in the stash. It’s good to see it being put to work.)

Here is my Navelli before I split for the underarms:

Navelli knit in Koigu by Deborah Cooke, in progress

The variegated yarn is a bit more emphatic than I’d expected. The tips of the fair isle in the purple kind of disappear into the pattern of the yarn, but what really surprised me was the pooling—and the big swirl. It looks a bit like the way hard candy swirls – like this image to the right. (That’s a stock image with its watermark intact.) The left lollipop really looks like this sweater to me!hard candy swirls

The strange thing is that I am knitting from alternate skeins (two rows from one, then two rows from the other) which should (theoretically) break up any pooling. This yarn, though, is determined to pool. I wondered what would happen when I split the sweater for the underarms – with half as many stitches being worked, I thought maybe the swirl would break up. It did, but it’s worse:

Navelli knit by Deborah Cooke in Koigu KPPPM

It’s actually making vertical blobs now. Ugh. That decided it. The patterning in the yarn is distracting from the fair isle – and I think it’s ugly.  I’m going to frog back to the fair isle and reknit the stockinette with the colour that’s in the skeins at the top. It’s closer to a semi-solid than a variegated yarn, so should pattern like my Koigu Lunenberg. There’s purple in this colourway, too, but the blue in the fair isle might end up looking a bit off. I think it’s in there, but it’s not the dominant blue. This gives me a chance to make another measure of my gauge – it looks like I might need to stay on the smaller needles for the plain stockinette as well as the fair isle.

R-r-r-r-r-r-r-rip it! I’m sad to do this, especially as I bought this variegated colourway specifically for this sweater, but that’s the way it goes.

Here’s my project page on Ravelry.

 

Koigu Nightshift

Dragon's Kiss, book two of the DragonFate novels, a series of paranormal romances by Deborah CookeI haven’t posted about my knitting for a while. I like to show you finished knits, but right now, I’m in the middle of a lot of projects, and casting on more. This is typical of me when I’m beginning a new series – in this case, it’s the DragonFate Novels – and both doing more research and making series plans. I tend to end up with a lot of new projects on the needles when I’m in that phase of writing, and that’s certainly the case right now. So, rather than remaining silent for the next few months 🙂 while I catch up with my knitting ambitions, I’ll show you a few projects that are in the works.

The first is my Koigu Nightshift. Nightshift is a shawl pattern by Andrea Mowry, designed to be knit with six colours of a gradient yarn. Two colourways are used at any time, resulting in bands of colour with dots and dashes in the contrasting colour. It’s a striking piece, and quite substantial since the yarn is worsted weight. I cast on with worsted weight yarn but felt that the result was too thick for me to actually wear. I dove into the stash and came up with an alternative – Koigu KPPPM.

Here are my colours:

Koigu KPPM for Deborah Cooke's Nightshift shawl

This photo was taken in bright sunlight. The colours are a little deeper than they appear here, and a little less pinky. The red is the leftover from my Koigu Lunenberg cardigan – there are almost four balls (just over 600 yards) of 329P left. This will use it up. (This is one colourway I bought the first year I went to the Koigu tent sale in 2016: the second was the grey mix I’m using in my Juicy Gloss cardigan. If I ever knit the sleeves on that, there probably won’t be much of that colour left.)

Charlotte's Web shawl, knit by Deborah Cooke in KoiguFor my contrast for the Nightshift shawl, I chose four purple colourways. In 2017 at the Koigu tent sale, I bought a pack of ten different shades of purple. I knit Charlotte’s Web with five of them – there it is, in progress on the right, but still have the other five. You can see all of the colours in this photo: two are already knit up in the shawl, with the three balls that I planned to use (and did) lined up on the right. The five skeins below are the ones I have left now. One of them – the far right one – doesn’t go as well with the others, to my thinking, especially when combined with the red. I chose the other four to use with the red for my Nightshift.

This (inevitably) reminds me of the Jenny Joseph poem:
“When I am an old woman, I shall wear purple,
with a red hat which doesn’t go and doesn’t suit me.”

I’ve never understood why anyone had to wait to wear red and purple together.

This stash-dive gives me (4 x 160) 640 yards of purples and about 610 yards of red. I’ll knit until it’s gone. The pattern calls for 6 skeins that are 150 yards each, so I have more yardage. This yarn is thinner, though, so I’m hoping the shawl still comes out a good size.

Because Koigu KPPPM is fingering weight, not worsted, as specified in the pattern, I also cast on with smaller needles than specified in the pattern. I’m using 3.75mm. It’s a bit loose, which gives the yarn room to bloom, but I could have used 3.5mm.

Also, the red will appear in every band of colour in my shawl, although it will switch from being the main colour to being the contrast.

Here’s a close-up of my progress so far.

Deborah Cooke's Koigu Nightshift Shawl in progress

The first repeat had a red background and contrast in the lightest purple. The second repeat was inverted – lightest purple background with red contrast. The third repeat, which is almost half done in this picture, has the darkest purple as background and the red as the contrast colour. My project page on Ravelry for this shawl is right here.

How do you like the beginning of my red and purple Nightshift?

The Red Cardigan

I haven’t had any knitting to show you for a while, because I’ve been knitting away on a couple of big projects. I’ve almost finished the Wingspan shawl – I’ve knit the wing tips and cast off half of the shawl width. I have to do the other side, then block it, so I should have that to show you soon.

Here’s a progress report on my red cardigan in Koigu KPPPM. I’m working on the collar right now – you can see my needle in the stitches – then have just the sleeves to knit.

Lunenberg Cardigan knit in Koigu KPPPM by Deborah Cooke

Once again, the colour looks a lot more pink in this image than it actually is. The yarn is a wonderful rich red and not very pink at all. (I talked about that in my last post about this project.) It actually matches the currant jelly I made this week. 🙂

The pattern is the Lunenberg cardiganhere’s a Ravelry link. The pattern is included in By Hand Serial #9 – you can see more about that publication on their website, here.

I’ve made some changes. Instead of ribbing on the hem, button bands and collar, I’m using garter stitch – mostly because I love how garter stitch shows off the colours of Koigu. I made a mistake in my calculations for the button band – there are supposed to be 8 buttons on the button band and one in the collar, but the way I figured it out, there are 9, plus the one in the collar. I’m not going to rip it back because I have another card of these buttons. Here’s my project page on Ravelry.

I am loving the softness and the colours of this yarn – which means, yes, we’ll be making another trip to the Koigu tent sale this August.

What do you think?

Red Koigu KPPPM Cardigan

It’s Fibre Friday again, and time to peek in on my knitting projects. Progress on my Wingspan shawl came to shuddering halt this week, when I realized I would run out of yarn. You might remember that I went up a needle size and wondered if I’d run out. Well, I will. So, I stopped knitting and ordered another skein of the same yarn – it’s Briar Rose Fibers Sea Pearl. The yarn is 50% merino and 50% tencel, and has a lovely sheen. I didn’t think that mixing in another yarn even for the border would look right.

The colour and dye lot aren’t marked on mine and it’s been aging in the stash for so long that there’s no way the colour would match anyway. I had a look at their website and think mine might be colour 1841. (It’s also possible that it’s a colour they don’t dye anymore.) I ordered a skein of 1901 (it’s on the second page of colour samples) which is a grey. It looks quite similar to mine but without the pink, which should make the hem look a bit darker. And the grey is probably the same dye.

While that project is on hold, I wanted to knit something other than socks. I had another poke through my needle stash and found a pair of 3.5mm circulars. Yay! They’re only 60 cm long, but that’s plenty for a cardigan knit in pieces. You know what happened next – I cast on the Lunenberg Cardigan in my red Koigu.

Here’s what it looks like so far:

Back of Lunenberg Cardigan knit in Koigu KPPPM by Deborah CookeIt’s interesting how pink this shot looks on my computer. The yarn is actually a gorgeous variegated cherry red and I just love it.

The colour number is 329. I had a look at the colours on Koigu’s site, and it looks even more vividly pink there. It looks more like #859 on this page.

This cardigan is knit top down but in pieces – this is the back from the shoulders down. I have a few more inches to go before doing the ribbing (which will give me time to decide whether to knit ribbing or another edge) but I’m very happy with how it’s coming out.

What do you think?

My Juicy Gloss Cardigan

A while back, I showed you the cardigan I was knitting from Koigu KPPPM, using the pattern called Juicy Gloss. (That’s a Ravelry link.)

Juicy Gloss cardigan knit by Deborah Cooke in Koigu KPPPM

I’ve finally finished knitting the body of this one and have it off the needles so I can show it to you again.

Here’s the older post. It shows the colour of the yarn better than these new pix do – here, it looks a lot more mauve than it is. And here’s the front:

This is a looooooong sweater. A big part of that is because of the changes I made to the front at the top. If you look at the pix for the pattern, you can see that the fronts are much shorter in the original design. I didn’t think this was as flattering as I wanted it to be, so added rows of stockinette to the front at the top as I was doing the raglan increases. In the original design, there isn’t any stockinette on the fronts: the lace starts at the raglan line. I like this better.

Juicy Gloss cardigan knit by Deborah Cooke in Koigu KPPPMHere’s the back of the cardigan. It’s hard to see in the variegated yarn, but there’s a garter stitch ridge at th waist, then there are increases to flare the lower half of the sweater. In an ideal universe, that garter ridge should be just above the waist, I think. Because of my increases to the front, mine is about an inch below my waist. This is less flattering than would be ideal, but I’m not going to rip it back.

I’m quite impressed that the yarn didn’t pool at all. It’s beautifully soft, so soft that I know I could wear it next to my skin.

I haven’t knitted the sleeves yet: you can see that I’ve put my sleeve stitches on circular needles already.

Juicy Gloss cardigan knit by Deborah Cooke in Koigu KPPPMHere’s a picture from the side. You can see that swooping angle of the waistline, which is a very pretty feature. If I knit this again with the same modifications to the front (ha), I’d make the back waist swoop across closer to the point where the lace ends at the sides. There are short rows shaping the back, and I’d knit a lot fewer of them. That would bring up the waist.

And now, on to the sleeves! I feel as if I’ve been knitting this sweater forever, but progress should be quicker now.

I really like the I-cord edging on this cardigan. It’s on the fronts, worked as you go, and the hem is bound off with I-cord. That makes a lovely neat finish all around.

One thing that puzzles me about this pattern is the name of it. I read the pattern notes again and wonder if it’s a reference to the yarn used in the sample photographed for the pattern – it’s a beautiful red, which she calls “juicy”, maybe because the color is reminiscent of ripe cherries. (?)

What do you think of the sweater so far?