Shiny New Books

The delivery guys have been good to me this week. I have shiny new books!

The Rogues of Ravensmuir medieval romances by Claire Delacroix in new trade paperback editions

The Jewels of Kinfairlie medieval romances by Claire Delacroix in new trade paperback editions

The Prometheus Project urban fantasy romances by Deborah Cooke in new trade paperback editions.
Not only do these editions have new covers, but the interiors have been updated, too. The historicals have pretty illuminated capitals at the beginning of each chapter, like this:

2016 updated print interior of The Snow White Bride, book #3 of the Jewels of Kinfairlie series of medieval Scottish romances by Claire Delacroix

You can order signed copies of these new editions in my online store. Here’s the series bundle for The Rogues of Ravensmuir and here’s the series bundle for The Jewels of Kinfairlie.

What do you think?

REBEL Reader Letter

Rebel, an urban fantasy romance by Claire Delacroix

Dear Reader;

The Prometheus Project trilogy of urban fantasy romances was a departure for me in many ways, a visit to a very gritty dystopian world of the future, where angels voluntarily shed their wings in a quest to aid humanity. This world is filled with secrets and concealed truths, so it shouldn’t be a surprise that each book gave me new questions to answer. We started outside an “old city” in Fallen, an off-limit zone that Lilia Desjardins was bold enough to explore. We learned not only about the angels shedding their wings in that book, but about the survivors hidden in the old cities like Gotham. In Guardian, we went on a quest with Rafe to find and protect a woman who had long been hidden in the netherzones, and encountered the wraiths, a group of people lost to the Republic’s databanks. In Rebel, we undertake a bold mission with Armand at the Institute for Radiation Studies itself, in which he finds himself opposed by a wraith assassin. Theodora is an alluring woman who insists she will do anything for the bounty—but Armand quickly doubts that she’s as mercenary as she would have him believe. Together they enter the secret realms of the Institute to find Armand’s captured comrade, with only each other to trust as they try to evade capture themselves. I like their journey of discovery and the way this pair provoke each other to reconsider their assumptions.

I felt for years that I’d done badly by Tupperman in not giving him a happily-ever-after, and there were certainly readers who agreed with me. His story finally came to me (maybe it was in a flash of angelfire!) and I’m happy that it will be published this year. Originally, I’d expected Tupperman’s story to be a novella, but he had more to say than that, so it is a full book, the fourth novel in the Prometheus Project. Abyss is set several years after the ending of Rebel, when the elite corps of fallen angels known as the Watchful Host are being stalked and assassinated. Tupperman embarks on a quest to save the souls of the angels he convinced to shed their wings, never anticipating that he’ll meet a woman who challenges all his preconceptions. There’s an excerpt from Abyss at the end of this book, just to tempt you.

The research for these books was fascinating, as it touched so many topics. I often find myself reading old stories and myths, as well as variations in familiar stories, when researching my books: angelology was completely consistent with that. I’m also used to researching different physical locations for my books, including the underground realms and the history of cities. But with the Prometheus Project, I had to learn a lot about radiation and nuclear bombs. Both proved to be fascinating subjects, and not nearly as simple as one might expect: the elusiveness of data was part of what inspired the existence of the wraiths in my fictional world. If you’re interested in learning more about nuclear research and radiation, I recommend these two very readable volumes: Before The Fall-Out: From Marie Curie to Hiroshima by Diana Preston (Doubleday, 2005) and The Plutonium Files by Eileen Welsome (Random House, 1999). They are both proof that truth is stranger than fiction.

Until next time, I hope you are well and have plenty of good books to read.

All my best,
Claire

Bad News & Good News

I thought you were all past due for an update from me, so here it is.

The “bad news” isn’t really that bad – and is far outshone by the good news. I’m sick. That’s it. I caught the flu bug that’s making the rounds, and have to take it easy for a few days. On the downside, this means that I’m not en route to the Novelists’ Ink conference which starts tonight in Myrtle Beach. I was really looking forward to the conference, to seeing some friends and learning a great deal, but there was no way I could face airline travel today. (And really, it’s better for everyone that I couldn’t. This bug has been shared sufficiently already.)

On the other hand, there’s an abundance of good news. First off, I have a job that I can still do when I’m sick 🙂 so I’ve been working away on those edits. It’s a great thing to have the opportunity to re-edit and revise all three Prometheus Project urban fantasy romances, even if I feel as if I’ve been lost in the netherzones of the Republic these past weeks. Fallen is available in its new edition, as you already know, and Guardian has gone to the formatter. Guardian should be available next week in its new digital edition. Rebel is next and I’m hoping it will be a quicker edit, then I’m expecting Abyss back from my editor this weekend. So, Rebel should be available by the end of the month (fingers crossed!) while I’m hoping that Abyss will be released in November. It’ll depend on those edits – I’ll be able to tell you more next week, after I’ve had a look at my editor’s comments. It’ll be exciting to have all of this series back out in the world again in those shiny new editions.

In other good news, All or Nothing is doing really well this week. This morning, it’s #42 overall paid in the Kindle store, as well as #1 in three categories – Romantic Comedy, Holiday Romance and Knitting Books. Its sales rank is #11 at B&N, which is pretty amazing, too. Thanks to all of you who picked up a copy at the sale price!

The Rogues of Ravensmuir Boxed Set is hanging on the lists at Amazon, too – it’s still at #17 or #18 on three of the historical romance lists (Scottish, Medieval and Medieval Historical Romance), which is fantastic. Just above it on those same lists is our multi-author boxed set, Five Unforgettable Knights, coming in #11, #12 and #13.

So, there’s your update. As usual when I’m up to my eyes in editing and other jobs, the story gremlins get busy. I have notes all over my desk for stories, so today, I’m going to treat myself to some writing time. Tomorrow, I’ll tell you about an online course that has me intrigued.

Bonus Content?

It’s been quiet here this week, because I’ve been lost in the realm of the Republic – or maybe, its netherzones. I’ve been working on the new editions of the Prometheus Project trilogy. This is a wonderful opportunity to go through the books again. Most ongoing series end up with a few continuity errors—because the books are written and published incrementally, not all at once—so it’s fabulous to have a chance to tweak the book files.

Fallen, an urban fantasy romance by Claire DelacroixFallen, first in the series, is also an interesting book, because I wrote it several times and there were major changes between each version. The first version was very different from what was originally published: the idea was that an historian was trying to document the events in the book, several years after the fact. For various reasons, the only source document available to the historian was Lilia’s diary, presenting her version of events. The historian believed that Lilia was an unreliable narrator (good observation there) and had annotated her diary with footnotes, as well as splicing in newspaper articles and other documents to make her references more clear. The book was written in first person, because it came from that diary.

There were a lot of changes to the story and the book’s structure on the way to publication, including the change to third person POV. The historian disappeared, along with her annotations and footnotes, the story ended differently, and it was structured differently. One major addition was my favorite in the whole book, the opening scene in Montgomery’s POV, which only became possible because of the shift to third person POV. We know a lot more about Montgomery and fallen angels in the final version of the story, but less about Lilia and her opinions.

The point here is that I have a lot of extra content associated with this story that has never been published before. I’d thought of preparing it as a companion volume, but it only exists for Fallen, not for the other books in the series. (And quadrupling the content isn’t a job I want right now.) So, I’m going to include some of it as bonus content in the new edition of Fallen—my question to you is how much bonus content do you prefer? Lots? A little? None? Should bonus content about a world be unequivocably true? Or can it be biased, thus showing as much about the character writing it as the world? I’m thinking that articles are more interesting than chronologies of events, but maybe you have a different view.

Tell me what you think. 🙂